Buying paintings by contemporary artists, even little-known ones, can often be associated with significant costs. Therefore, it is important to talk about the profitability and justification of such costs. You must understand what you pay for and why.
A lot of “why” when buying
If you are an investor and want to not only purchase a beautiful thing, but also profitably invest money, then it is important to understand the answers to very simple questions:
Why can an investment in contemporary art be beneficial?
Why buying paintings by contemporary artists can make a profit, and sometimes a very big profit? Continue reading
Authentication methods when buying paintings, graphics and other works of modern art.
When you are going to buy an expensive enough painting to invest money, as a gift, or just to decorate the interior, the question inevitably arises: how to verify the authenticity of the painting.
The question is not very simple, since there is no single universal way of proving the authenticity of a picture. In each case, you have to be creative in your examination. When buying a painting, it is better to adhere to a few residually simple rules.
PROVENANCE or painting history Continue reading
From Italian, a palette knife is translated as a spatula. Palette knife allows you to create a complex and beautiful texture in the picture. Using a palette knife, you can mix paints on the palette, clean the palette, remove excess paint from the canvas or paint a picture.
Despite the fact that the palette knife is known as an instrument of modern painters, the tradition of its use originates from the Renaissance, from the works of Titian. Using a palette knife, some details were made on the canvases of Rembrandt and Francisco Goya.
Gustave Courbet became the first artist to actively use a palette knife. The artist described his method of work: “First I determine where the darkest colors in the picture will be, mark their location, apply them with a palette knife or a flat brush. Not a single detail is visible in the dark … then I apply less and less intense shades … I try to find them the place … then I put the halftone, and so on until the brightest, until Continue reading