Fake paintings, as an imitation of the painting style and the plot of the work of a famous master for enrichment, has always existed. According to experts, the amount of funds annually obtained from the sale of fakes in Russia is from 8 to 50% of the total volume of transactions with paintings, estimated at $ 200 – 700 million.
Falsification of paintings by craftsmen is a business for many: manufacturers, dealers, buyers, police, insurance agencies.
The problem of fakes, especially their manufacture, really sharply arose in the second half of the 20th century, when new physicochemical methods for determining authenticity appeared. In 1965, it turned out that the portrait of Earl Wellington at the London National Gallery, attributed to Goya, was just a fake. In 1976 – that in the Cornell Museum Koro’s fakes are stored. Throughout his career, Corot painted about 600 paintings, but only three thousand walk on the American market. In the Metropolitan Museum of 66 utensils of 8 thousand years ago, brought from excavations in Turkey, only 18, indeed, are ancient. And this is in the most prestigious museums in the world. What to speak about private collections!
In 1996, the exposed counterfeit manufacturer Eric Hebborn published the book The Art Forgers Handbook, a Continue reading