Imprimature - color tinting (tinting) of the soil or the first layer of the canvas.
Imprimatur is a simple and effective way to create color harmony in a painting. In thin-layer writing, the color of the soil, shining through the layers of paints, combines them…

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ENGLISH AQUAREL, PAINTING OF OLD MASTERS
Watercolor is often called the most moody and unpredictable technique. This is due to many nuances of the behavior of water-based paints. An artist inexperienced in watercolor painting, even observing…

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GENRES IN CHINESE ART
Go-hua traditional Chinese painting is considered to be close in spirit and used tools to calligraphy. In China, mascara tiles, which are ground with water to the desired consistency, as…

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pistachio varnish

Art criticism analysis and description of Pierre-Auguste Renoir’s “Nude” painting

Parisians are born with all the shortcomings, but the wonderful fairy gives any flaw to their charm and enchantment. This fairy is grace.
Heinrich Heine
The painting “Naked” was written by Pierre-Auguste Renoir during the transitional period of his work, when the development of his art was approaching the zenith of fame after difficult years of misunderstanding and sharp criticism: “Rough blots, inspiring thoughts of decaying flesh – this was the first time they spoke about my paintings. It is not surprising that from time to time, Monet and I, to distract ourselves, ate a shpigovanny turkey, which was poured with chambertin, ”Renoir later recalled.
The artist embodied a completely new idea of ​​the ideal of female beauty, which was not recognized by the official Salon. Renoir did not resort to the plot scenery, like his predecessor E. Manet in the famous “Olympia”. The artist does not try to elevate his model to the goddess and thereby justify her. In the words of Edmond Duranti (in an article on painting), “The masters of antiquity created what they saw … Depict and you what you see.” The heroine of Renoir – the Parisian beauty Anna (“belle Anne”) remains a model. The model was a girl from Montmartre, who Continue reading

PAINT VARNISHES

Painted varnishes are 30% solutions of resins in pinene, with the exception of kopalovy varnish, where kopalovy resin is dissolved in linseed oil. The following types of varnishes are available, used as additives to oil paints: mastic, dammar, pistachio, acrylic-pistachio and kopal.
Mastic varnish. 30% solution of mastic resin in pinene. Mastic varnish can serve not only as an additive to paints, but also by wiping the intermediate layers during layer-by-layer painting, replacing retouched varnish in this. Apply mastic varnish and as a cover for oil and tempera painting. Tends to turn a little yellow over time. Gives the work a glossy finish. Very elastic.
The varnish is damn. 30% solution of dammar resin in pinene with the addition of ethyl alcohol. Dammar varnish is used as an additive to paints and as a topcoat. During storage, it sometimes loses transparency, but Continue reading

BRUSHES
A brush is nothing more than a simple tool to help an artist complete his plan. But as with every tool with brushes, you must also be able to handle.…

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The basis for painting is any physically existing material or surface on which paints are applied: metal, wood, fabric, paper, brick, stone, plastic, vellum paper (thin parchment, wax, tracing paper),…

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EXCLIBRES OF MASONS
For a long time, the construction of huge cathedrals continued in the Middle Ages. Builders settled in the immediate vicinity of the construction site, gradually entering into close relations with…

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THE BIGGEST CRIMES IN ART
Theft of works of art is a popular crime. Typically, masterpieces are stolen in order to: further resale (mainly this does not apply to masterpieces, since they are difficult to…

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