HISTORY OF PASTEL PAINTING
The word pastel comes from the Italian word pasta - dough or pasta. The pastel is colored crayons from a finely ground mixture of coloring pigment, chalk or a special…

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Fake PICTURES
Fake paintings, as an imitation of the painting style and the plot of the work of a famous master for enrichment, has always existed. According to experts, the amount of…

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LANDSCAPE GENRE VARIETIES
Landscape (from French paysage - country, locality) is a genre of fine art in which nature is the main subject of the image. As an independent genre, the landscape appeared…

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STORAGE AND CARE OF ART

PAINT STORAGE REQUIREMENTS:
temperature and humidity conditions: 18-22 ° С at 40-70% humidity
maximum illumination 150 lux
lamps with a power of more than 100 candles (100W incandescent lamp or 20W fluorescent lamp) should be placed no closer than one meter from the object (200 candles – about 2 meters, etc.)
direct sunlight inadmissible
air mobility (drafts) and sudden changes in temperature and humidity are unacceptable
it is advisable not to touch the paint layer
Do not place above radiators or under air conditioners.
ultraviolet and infrared radiation are very unfavorable
combustion products are not very favorable: soot, soot, tobacco smoke; oils released during cooking, etc.
Store in well-ventilated areas.
PAINTING TIPS:
Remove light dust from the front of the paintings with a clean pad or mitten from velvet or flannel – a material that absorbs dust. The picturesque surface is swept in one direction, the pressure on the surface of the picture should be minimal. You should not use brushes, perovki, flejce for this purpose, since they can scratch the colorful surface, and in addition, these objects do not collect dust, but scatter it in the air. Severe damage to the painting can be caused if the paint layer is wiped with a damp cloth or dust is removed with a vacuum cleaner.
On the reverse side of the picture, the dust is removed with the same pads and mittens from velvet and flannel, with a short bristle flute or with a vacuum cleaner. At the same time, the picture is given a slight inclination towards the stretcher. Movement on the canvas should be light, and the brush of the vacuum cleaner should not touch the canvas at all. You can additionally protect the painting well from dust by completely covering the back of the canvas with cardboard.
In case of severe pollution do not clean the picture yourself – this should be done by a specialist.
Removing soot and soot requires the work of a restorer, and no attempt to remove them in place is unacceptable.
If the canvas of the painting is sagging (wrinkles or irregularities have appeared) – never wet the canvas from the back with water, this can lead to delamination of the painting.
If you have a modular stretcher – carefully knock down the wedges, and if it is deaf, then contact a framing workshop – you will need to haul the picture or replace the old stretcher with a modular one.
STORAGE REQUIREMENTS FOR AQUARIUS, PASTELS, PRINT, ENGRAVE:
temperature and humidity conditions: 12-25 ° C at a relative humidity of 40-60% (for pastels 18-20 ° C at a humidity of 50-55%)
maximum illumination 150 lux (for pastels 30-50 lux)
lamps with a power of more than 100 candles (100W incandescent lamp or 20W fluorescent lamp) should be placed no closer than one meter from the object (200 candles – about 2 meters, etc.) (for pastels it is better not to use artificial lighting)
direct sunlight inadmissible
ultraviolet and infrared radiation are very unfavorable, anti-reflective glass protects the picture from this radiation
paintings must be protected from moisture
sharp fluctuations in temperature and humidity are extremely harmful
Do not store for a long time without a frame and glass (dust from the pastel is practically not removed)
draw up paintings using a mat, it creates the necessary layer between the painting and the glass, which ensures the preservation of the painting, while maintaining a microclimate and improving safety
Store in well-ventilated areas.
TIPS FOR CARE OF AQUARIUS, ENGRAVING:
The first way to care for watercolors, pastels, engravings is to put them under anti-reflective glass as soon as possible and insert them into the frame.
Extreme care must be taken when removing dust. It is possible to remove only light, loose dust, more thorough cleaning should be entrusted only to a specially trained restorer.
It is better to remove light dust by blowing it off with bellows or even better by collecting dust with a vacuum cleaner. If this is not possible, use a large, very soft badger brush (fleitz). Any rags, especially wet ones, are by no means allowed for such work.
Removing soot and soot requires the work of a restorer, and no attempt to remove them in place is unacceptable.
BATIK STORAGE REQUIREMENTS:
temperature and humidity conditions: 12-25 ° C with a relative humidity of 40-60%
maximum illumination 150 lux
lamps with a power of more than 100 candles (100W incandescent lamp or 20W fluorescent lamp) should be placed no closer than one meter from the object (200 candles – about 2 meters, etc.)
direct sunlight and moisture are not allowed
sharp fluctuations in temperature and humidity are extremely harmful
it is advisable not to touch the paint layer
Do not place above radiators or under air conditioners.
ultraviolet and infrared radiation are very unfavorable
combustion products are not very favorable: soot, soot, tobacco smoke; oils released during cooking, etc.
Store in well-ventilated areas.
BATIC CARE ADVICE:
Dust removal is best done with a vacuum cleaner.

Fake PICTURES
Fake paintings, as an imitation of the painting style and the plot of the work of a famous master for enrichment, has always existed. According to experts, the amount of…

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PAINT VARNISHES
Painted varnishes are 30% solutions of resins in pinene, with the exception of kopalovy varnish, where kopalovy resin is dissolved in linseed oil. The following types of varnishes are available,…

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Linocut
Linocut got its name from linoleum material. Linoleum as a material for engraving originated in Europe, and at the beginning of the first decade of the 20th century in Russia.…

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THE BIGGEST CRIMES IN ART
Theft of works of art is a popular crime. Typically, masterpieces are stolen in order to: further resale (mainly this does not apply to masterpieces, since they are difficult to…

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