Linocut got its name from linoleum material. Linoleum as a material for engraving originated in Europe, and at the beginning of the first decade of the 20th century in Russia. The first Russian artist to use linocut N.I. Sheverdyaev, and in this technique was a great success. Among those Russian artists who seriously engaged in linoleum and studied its technology, was I.N. Pavlov. In his prints, he exhaustively showed the tonal and textural capabilities of a new material for that time. The artist V.D. did a lot for the development of linocut Falileev. In his hand-printed engravings, he showed new uses for opaque oil paints, achieving remarkable effects that leave a great impression.
Engraving on linoleum was done by such artists as B.M. Kustodiev, M.V. Matorin, P.N. Staronosov, I.A. Continue reading
For a long time, the construction of huge cathedrals continued in the Middle Ages. Builders settled in the immediate vicinity of the construction site, gradually entering into close relations with each other. Over time, these unions formed workshops. The rules for relations between members, the admission of new comrades, and the resolution of disputes were developed. A ceremony was also established for various occasions. The room where they stored their tools was called a lodge. Hence, the brotherhood of builders and their assemblies were called the “lodge”, and their members – free masons (free mason). Then the lodge became known as the main organizational unit of Freemasonry. As you know, the workshops were closed to people of other professions. But from the end of the 16th century, non-construction workers — “outside masons”, rich and scholars who had the idea to use building partnerships as the basis for creating secret isoteric societies – gained access there.
Masons carry out ritual ceremonies and, although there is no single Masonic ritual, many of them are very similar. For example, all Masons use in their rites the architectural symbolism of the tools of medieval masons, especially two of them – a square and a pair of compasses, which are always in the box. Masons should “verify their actions Continue reading
But circulation is only one of the properties of engraving. Engraving is a special kind of fine art and it has its own language, its aesthetics, its capabilities, which are distinct from other types of art. And to a very large extent this originality of the engraving is determined by its technological side.
In engraving, there are a huge number of species, subspecies, varieties of technology. They are born in certain epochs, often die off after several decades, transformed are reborn at another time. And all this diversity is designed to expand the expressive capabilities of engraving, to enrich its language. After all, engraving, in principle, has a much more limited range of means than, say, painting: a line and a tonal Continue reading