TURNER JOSEPH MALLORD WILLIAM (1775-1851)
The history of the English landscape is a large and complex topic. And a special place in it is occupied by a talented artist - William Turner, whose deeply emotional…

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BRUSHES
A brush is nothing more than a simple tool to help an artist complete his plan. But as with every tool with brushes, you must also be able to handle.…

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BRUSHES
A brush is nothing more than a simple tool to help an artist complete his plan. But as with every tool with brushes, you must also be able to handle.…

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existing material

EUROPEAN PAINTING SCHOOLS

The Antwerp School is an art school that has existed for several centuries in the city of Antwerp, now Belgium.
Representatives of the Antwerp school: Joachim Patinir, Joos van Kleve, Herry met de Bles, Peter Cook van Alst, Peter Artsen, Peter Brueghel Sr., Cornelis Floris de Wrindt, Gillis van Koningsloe, Cornelis van Dahl, Jan Bruegel Sr., Jan Brueghel Jr., Bartolomeus Spranger, Tobias Verhacht, Abel Scott, Anthony More, Adrian Kay, Frans Floris, Jan van Hemessen, Jan Masseys, Quentin Masseys Jr., Adam van Noort, Joos de Momper, France Purbus Sr., France Purbo Otus Van Jr. Veen, Martin de Vos, Sebastian Wranks.

Antwerp School of Painting
Sower. Jean Francois Millet Continue reading

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The basis for painting is any physically existing material or surface on which paints are applied: metal, wood, fabric, paper, brick, stone, plastic, vellum paper (thin parchment, wax, tracing paper), parchment, plaster, glass. However, only a few of them represent the traditional foundations for oil painting; They are divided into two groups: elastic (flexible) substrates, which include canvas and paper, and rigid, combining wood, sheet fiberboard, fiberboard, canvas on cardboard (board) and metal.
The most popular and widely used base is canvas. However, the status of the canvas as a standard basis for painting is relatively young. Ancient artists preferred to work in encaustic on wooden foundations, and in the Middle Ages this practice gave impetus to the development and use of egg tempera on boards – the primary and most important form of easel painting of that time. In the fifteenth century, at the initial stages of evolution, oil painting existed as a way to refine or – the final stage of tempera technology: the main focus was still on small things with careful detailing. Such paintings by Flemish artists, for example, preferred to paint in oil on primed wooden boards. Continue reading

Engraving: concept, essence
Engraving is the youngest of the visual arts. If the origin of painting, sculpture, drawing, architecture is lost in prehistoric epochs, then the appearance of engraving is more or less…

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TAPESTRY. CLASSIFICATION AND VARIETIES
The art of hand weaving is one of the oldest forms of decorative art. Each country and era made its changes in technology, interpretation of images and applied value of…

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Art criticism analysis and description of Pierre-Auguste Renoir’s “Nude” painting
Parisians are born with all the shortcomings, but the wonderful fairy gives any flaw to their charm and enchantment. This fairy is grace. Heinrich Heine The painting “Naked” was written…

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How to buy a genuine picture
Authentication methods when buying paintings, graphics and other works of modern art. When you are going to buy an expensive enough painting to invest money, as a gift, or just…

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